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・ María Eugenia Girón
・ María Eugenia Jiménez Valenzuela
・ María Eugenia Larraín
・ María Eugenia Llamas
・ María Eugenia Nieto
・ María Eugenia Ritó
・ María Eugenia Rojas Correa
・ María Eugenia Suárez
・ María Eugenia Sánchez
・ María Eugenia Vaz Ferreira
・ María Eugenia Vidal
・ María Eugenia Villamizar
・ María Felicidad González
・ María Felipe y Pajares
・ María Fernanda Campo Saavedra
María Fernanda Cardoso
・ María Fernanda Conejo
・ María Fernanda Espinosa
・ María Fernanda García
・ María Fernanda Herazo
・ María Fernanda Malo
・ María Fernanda Morales
・ María Fernanda Navia
・ María Fernanda Neil
・ María Fernanda Romero Lozano
・ María Fernanda Schroeder
・ María Fernanda Valdés
・ María Fernanda Yépez
・ María Fernanda Álvarez Terán
・ María Fernández


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María Fernanda Cardoso : ウィキペディア英語版
María Fernanda Cardoso

María Fernanda Cardoso (born 1963) is a Colombian Australian artist, sculptor and illustrator. Her contemporary art references many types of ready-made material, including plastic, trash, plants, dried and living animals, bones and styrofoam. One of her most famous art installations was a flea circus that featured live cat fleas. Her works have been featured in several museums internationally in Europe, the Americas, and Australia, and have won several awards. She resides in Sydney.
==Biography==

In the early 1980s, Cardoso studied architecture and the visual arts at the University of the Andes in Bogotá. She moved to New York in 1987 to attend the Graduate Sculpture Program at the Pratt Institute. In 1990, she graduated with a Master of Fine Arts in Sculpture and Installation at Yale University.〔(【引用サイトリンク】url=http://www.abc.net.au/arts/artists/maria-fernanda-cardoso-the-museum-of-copulatory-organs/default.htm )
In 2000, the Museum of Modern Art in New York commissioned her to create a major installation for their millennium show, "Modern Starts". Here she installed 36,000 plastic lilies in a 125-foot long wall, which subsequently toured museums throughout the United States. In 2003, she represented Colombia at the Venice Biennale, exhibiting a large installation of starfish woven together into a submarine landscape called "Woven Water".
Cardozo moved to Sydney, Australia, in 1997. She did a solo exhibition in 2011 at Melbourne's Arc One gallery centered on the genitalia of male insects. The exhibit was titled 'It’s not size that matters, it is shape'. The following year, she created The Museum of Copulatory Organs for her doctoral project in 2012, which culminated in a Ph.D. from Sydney College of the Arts.〔

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